Jana Suna Nani Lyrics

Cover art for Jana Suna Nani by Bijay Anand Sahu

Jana Suna Nani Lyrics · Bijay Anand Sahu

[Intro]
Instrumental Music

[Chorus]
Ae tume, Sambalpurar jana suna nani (Hey ae…)
Poora sahar sara tumar hi kahani (Ee)
Haaye, kain jadu kala tumar panat kani (Ee)
Ae amke kala pagal phool gajara beni (Ee)

[Hook]
Haaye re, haaye re, haaye re
Haaye re, haaye re

[Refrain]
Ae mui, Sambalpurar jana suna nani (Haan aan…)
Ae mui jahin gale bi sabhe jaisan jani (Ee)
Jhal jhal jhalku thisi, Mahanadir pani (Ee)
Cham cham chamkuthisi tumar go chahani (Nani)

[Verse 1]
Ae babu, haaye re, babu, lagla tor mahani (Ee)
Dheere dheere mui bi dhana heli re deewani (Ee)
Tor dil ke sate deidelu, haaye re, sajani (Ee)
Sajani, sajani, sajani (Ee)

[Chorus]
Ae tume, Sambalpurar jana suna nani (Hey ae…)
Poora sahar sara tumar hi kahani (Ee)
Hey, kain jadu kala tumar panat kani (Ee)
Ae amke kala pagal phool gajara beni (Ee)

[Hook]
Instrumental Break

[Verse 2]
Ee Sambalpuria pila, tor dil ke churei nela
Mor ganar tale–tale nani, anta tike hala (Aa)
Ei Sambalpuria pila, tor dil ke churei nela
Mor ganar tale–tale nani, anta tike tui hala (Aa)

[Pre-Chorus]
Nachi de chham chham, ae mor sundri janh
Aa tike nachi dema karuchhi re mann…
Guri tora gura gaal, disuchhe lale–lal
Aakhi tor beautiful disuchhe kamal (Disuchhe kamal)

[Chorus]
Ae tume, Sambalpurar jana suna nani (Ee)
Poora sahar sara tumar hi kahani (Ee)
Hey, kain jadu kala tumar panat kani (Ee)
Ae amke kala pagal phool gajara beni (Ee)

[Outro]
Instrumental Music

Credits

SongJana Suna Nani
SingerBijay Anand Sahu, Subhalaxmi Dash, Soumya Rj
WriterLucky David, Bijay Anand Sahu
ComposerBijay Anand Sahu
CastSumit Patra, Jagriti Mallick
Video DirectorBijay Anand Sahu
LabelVibes Music Official

Official Video

About

This is a cheerful Sambalpuri Odia track that celebrates beauty, traditional style, dance, and the lively culture of Western Odisha. The composition creates a festive atmosphere through references to traditional accessories, graceful movements, natural scenery, and colorful local traditions. Its central theme focuses on admiration for a charming woman, with the music presenting her appearance, personality, and dancing in a light and joyful way. The mention of the Mahanadi adds a connection to the region’s natural beauty, while the rhythmic sections give the track an energetic dance character. Modern expressions are blended with traditional cultural elements, making the overall presentation accessible and entertaining. With its catchy refrain, upbeat mood, regional flavor, and celebration of dance and tradition, this track offers an enjoyable representation of contemporary music rooted in the cultural atmosphere of Western Odisha.

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